“A boy’s best friend is his mother.”
When Paramount agreed to let Alfred Hitchcock (North by Northwest, Vertigo) make Psycho, they were sure it would be a flop—so much so that Hitchcock actually negotiated 60% of the profits rather than a flat rate. I had never seen the movie before last night, and I’ll admit, I wasn’t sure how good it would be. Well, Hitchcock proved Paramount and my doubts wrong—this is a masterpiece. Starring Anthony Perkins, Janet Leigh, and Vera Miles, this is as clever as it is classic, and, while it may be a bit tame by today’s standards, the suspense holds up very well. I’m not usually a big fan of horror movies, but I thoroughly enjoyed this one. It’s endured as one of the best horror films of all time, and that position is well-earned.
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“You still don’t understand what you’re dealing with, do you? The perfect organism. Its structural perfection is matched only by its hostility.”
The sci-fi genre has produced some brilliant movies; but for a long time, it failed to produce one thing: heightened suspense. Sci-fi movies made you think, but they rarely got your heart racing. Alien, directed by Ridley Scott (Blade Runner, Gladiator) and starring Sigourney Weaver and John Hurt, changed the genre. With a tagline like, “In space, no one can hear you scream,” you know you’re in for a wild ride. It’s not just a great sci-fi suspense movie—it’s probably one of the best suspense movies ever made. It doesn’t skimp on the science fiction, but this movie is downright terrifying, and it does it without resorting to cheap jump scares or excessive gore. Though often imitated, this is a movie that stands up very well today and earns its spot on the watch list of any serious cinema fan.
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I’ll admit: I’m not the biggest fan of the horror genre. But The Shining does what most horror movies don’t even dream of: it’s truly a work of art. Directed by the legendary Stanley Kubrick (2001: A Space Odyssey, A Clockwork Orange), based on a book by horror master Stephen King, and starring Jack Nicholson and Shelley Duvall, it’s a horror movie that escapes the pitfalls of many other horror movies, such as cheap scare tactics and shallow characters. The result is a beautiful and well-written movie that’s frightening without being over-the-top.
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“Just look at the face: it’s vacant, with a hint of sadness. Like a drunk who’s lost a bet.”
We live in a world today where there are well-written zombie serial dramas, successful zombie action movie franchises, and even zombie romantic comedies. It’s easy to forget that, for a long time, zombies were only a cult hit—they were not exceedingly popular, even when they had a commercial success. But when Resident Evil brought traditional action to zombie movies in 2002 and 28 Days Later brought smart writing to zombie movies in 2003, the stage was set for zombies to move into the spotlight. In 2004, Edgar Wright (Hot Fuzz, Scott Pilgrim Versus the World) co-wrote and directed the first mainstream zombie comedy movie, Shaun of the Dead, starring Simon Pegg. Bear in mind, I’m watching this just after binge-watching six seasons of The Walking Dead. Does it hold up 12 years later? I think so.
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