“In the land of Mordor, in the fires of Mount Doom, the Dark Lord Sauron forged in secret a master ring, to control all others. And into this ring he poured all his cruelty, his malice, and his will to dominate all life. One ring to rule them all.”
In the 50s and 60s, epics were fairly common and frequently looked forward to. Movies like Ben Hur, Lawrence of Arabia, and Seven Samurai are regarded as some of the finest films of their decades. But then began a long dry spell for epics through the 70s, 80s, and 90s. Some films came close, such as Dances with Wolves; but there wasn’t a good straight-up epic movie for a long time. Then Peter Jackson (King Kong, The Hobbit) got the green light for an epic Lord of the Rings trilogy, along with an epic budget (estimated at $93 million for the first movie alone). When the first of the trilogy, The Fellowship of the Ring, was a smash hit, it was clear: epic movies were back.
“Don’t tell me you’re innocent. Because it insults my intelligence and makes me very angry.”
Truth be told, I’m a little nervous about reviewing The Godfather. What more can I say about one of the most famous movies of all time? Directed by Francis Ford Coppola (Apocalypse Now, and, come on, he directed The Godfather) and starring Marlon Brando and Al Pacino, this is considered not only the best crime movie of all time, but it’s also in the top three picks for best movie of all time (along with Citizen Kane and Casablanca). It’s so iconic and classic that it’s been referenced and parodied countless times, and phrases like “sleeping with the fishes” are now part of the common lexicon. And I had never seen it until this week. Did it live up to the hype? Yes, absolutely.
“You see, in this world there’s two kinds of people, my friend: Those with loaded guns and those who dig.”
I’ll admit, until recently, I had never watched a legitimate western movie—they just didn’t really appeal to me. The Good, the Bad, and the Ugly, directed by Sergio Leone (Once Upon a Time in the West, A Fistful of Dollars) and starring Clint Eastwood, Eli Wallach, and Lee Van Cleef, changed my mind. It tells a great quintessential western story while turning many of the tired tropes, like the good guy in the white hat, on their heads. The story draws you in and the characters are fascinating. The tone is fun with just the right amount of camp. After watching this, I actually want to go and check out some more classic westerns, and that’s saying a lot.