“I think you might be a songwriter. And don’t worry, I won’t tell anybody. But I’m not very good at keeping secrets.”
Some plots are so great that they endure through generations. A Star is Born is one of those. Originally made in 1937, then remade in 1954, then remade again in 1976, then actually remade in India as Aashiqui 2 in 2013, it’s just been remade again in 2018, and it is every bit as amazing as you would expect a movie that was remade four times to be. In his directorial debut, Bradley Cooper directs and stars (and co-wrote the script), and musician Lady Gaga co-stars (not her acting debut—she’s done some television shows before). So when this film was announced, audiences had two questions: Can Lady Gaga act? Can Bradley Cooper direct? It’s hard to say after one film because a big part of the answer to both of those questions is range, but I will say that both did an amazing job with this film. The film feels raw and real, and both Cooper and Gaga put on amazing performances. Also, as a musician myself, I was quite pleased with the musical performances in this film. This is a top-notch film that will go down as one of the best remakes in history, and it’s a powerful story that’s totally deserving of all the hype it’s getting right now.
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“I’m telling you, you’re coming along at a very dangerous time for rock and roll. I mean, the war is over. They won. And 99% of what passes for rock and roll these days… silence is more compelling.”
They say hindsight is 20/20, so it shouldn’t be too surprising that one of the greatest films about rock and roll came 30 years after the fact. Rock and roll was a movement born out of the cultural revolution of the 60s, but that intellectual purity couldn’t last forever. Almost Famous, directed by Cameron Crowe (Say Anything, Jerry Maguire) and starring Patrick Fugit, Kate Hudson, and Billy Crudup, attempts to capture the moment when rock and roll changes from a movement to an industry. It’s also a great coming-of-age story and a very effective comedy. It’s full of memorable scenes, quotable lines, and just the right amount of drama, and this is definitely one of the most likable movies on this list.
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“Hello, I’m Johnny Cash.”
There are a few things in life that rarely impress me. Biopics, musical performances in movies, and country music are on the list. So you’d think I would hate Walk the Line, a musical biopic about country artist Johnny Cash—but I didn’t. Directed by James Mangold (Logan, Girl Interrupted) and starring Joaquin Phoenix and Reese Witherspoon, this film does everything right. Its musical performances move the plot forward and aren’t just for decoration. It focuses on real-life characters without relying on nostalgia and idealized, romanticized versions of them. The music is excellent (Phoenix and Witherspoon performed all numbers live and did an amazing job), the characters are deep and fascinating, and the plot, while not wholly original, walks a careful line between dark and sweet. This is a biopic that would work just as well as a work of fiction, and that says a lot about the level of art involved.
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“It’s such a fine line between stupid and, uh… clever.”
The concept of satire has been lost along the way of modern movie production. The American Heritage Dictionary defines satire as: “A literary work in which human foolishness or vice is attacked through irony, derision, or wit.” Most work marketed as satire today is instead simply parody, which imitates for comedic effect rather than use wit for social commentary. This is Spinal Tap, directed by Rob Reiner (Stand By Me, The Princess Bride) and starring Christopher Guest and Michael McKean, is a satire of the rock music scene of the late 70s and early 80s that uses parody as well as wit and derision to showcase how ridiculous it is. It’s produced as a documentary about a fictional band, and followed that formula so well that some viewers commented that they loved the movie, but wished it would have covered a more popular band. This mockumentary style has produced many films over the years, from Best in Show to Borat to What We Do in the Shadows, but my favorite remains This is Spinal Tap. It’s hilarious, memorable, extremely quotable, and earns its place as the greatest rock and roll comedy of all time.
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“It’s 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it’s dark… and we’re wearing sunglasses.”
The Blues Brothers (the band) was an interesting phenomenon. Blues music was waning in popularity and was listened to mostly by music enthusiasts. Through a mixture of great music and comedy, they brought blues music back into the mainstream for a brief moment and made it cool again. The Blues Brothers (the movie), directed by John Landis (Coming to America, Animal House) and starring Dan Akroyd and John Belushi, captures some of that magic as well as the music. Yes, it’s ridiculous and over-the-top; but the cameos and musical performances are amazingly fun and entertaining, and the comedy is pretty great too. I can’t say it’s brilliant, but I still have a blast every time I watch it. There have been movies that have tried to be The Blues Brothers, but there’s really no other movie quite like it.
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