“Undisciplined… unpunctual… untidy. Knowledge of music… knowledge of literature… knowledge of… knowledge of… You’re an interesting man, there’s no doubt about it.”
Lawrence of Arabia is widely heralded as one of the greatest epic films of all time, and it certainly is that, but it goes a level deeper with its exploration of heroism. Directed by David Lean (Doctor Zhivago, The Bridge on the River Kwai) and starring Peter O’Toole, Alec Guinness, and Anthony Quinn, this World War I epic captures a unique little corner of history and makes an interesting comment on what heroism really means. This film really embodies what epics are all about, especially considering that this film was released in 1962 and uses all practical effects. It’s stood up well over the years, and this film could hold its own against just about any other epic film out there.
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“As far back as I can remember, I always wanted to be a gangster.”
Since The Godfather basically defined the crime genre in 1972, there have been a lot of imitators and followers, some good and some bad, but nothing ever came close to the original. It’s hard to compare, but I’d say that Goodfellas came pretty close in 1990. (Legendary critic Roger Ebert actually preferred Goodfellas to The Godfather.) Directed by Martin Scorsese (Taxi Driver, The Wolf of Wall Street) and starring Ray Liotta, Robert de Niro, Joe Pesci, and Lorraine Bracco, this is a mobster story with as much depth and humanity as The Godfather, but it shows a different side of the story. The Godfather shows the view at the top—the big boss and his family calling all the shots. Goodfellas shows the working man’s view of organized crime—a kid trying to break into the business and make a name for himself. The film is actually based on real-life mobsters, one of whom consulted on much of the film, so there’s a real authenticity to the film that’s missing in most crime films. It’s a great entry in the crime genre that I believe deserves a place right next to some of the biggest names in the genre.
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“Hello, I’m Johnny Cash.”
There are a few things in life that rarely impress me. Biopics, musical performances in movies, and country music are on the list. So you’d think I would hate Walk the Line, a musical biopic about country artist Johnny Cash—but I didn’t. Directed by James Mangold (Logan, Girl Interrupted) and starring Joaquin Phoenix and Reese Witherspoon, this film does everything right. Its musical performances move the plot forward and aren’t just for decoration. It focuses on real-life characters without relying on nostalgia and idealized, romanticized versions of them. The music is excellent (Phoenix and Witherspoon performed all numbers live and did an amazing job), the characters are deep and fascinating, and the plot, while not wholly original, walks a careful line between dark and sweet. This is a biopic that would work just as well as a work of fiction, and that says a lot about the level of art involved.
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