“Undisciplined… unpunctual… untidy. Knowledge of music… knowledge of literature… knowledge of… knowledge of… You’re an interesting man, there’s no doubt about it.”
Lawrence of Arabia is widely heralded as one of the greatest epic films of all time, and it certainly is that, but it goes a level deeper with its exploration of heroism. Directed by David Lean (Doctor Zhivago, The Bridge on the River Kwai) and starring Peter O’Toole, Alec Guinness, and Anthony Quinn, this World War I epic captures a unique little corner of history and makes an interesting comment on what heroism really means. This film really embodies what epics are all about, especially considering that this film was released in 1962 and uses all practical effects. It’s stood up well over the years, and this film could hold its own against just about any other epic film out there.
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“You’re getting older, and you’ll see that life isn’t like your fairy tales. The world is a cruel place. And you’ll learn that—even if it hurts.”
Pan’s Labyrinth is really in a class of its own. Directed by Guillermo del Toro (The Shape of Water, Pacific Rim) and starring Ivana Baquero, Ariadna Gill, and Sergi Lopez, this is a curious mix of fairy tale and brutal war film, and it’s more imaginative than just about any other movie on this list. The movie comes to us from Spain, and it’s set during the Spanish Civil War (1936-1939). We see most of the film through the eyes of the young girl Ofelia, who isn’t completely aware of what’s going on with the war and instead finds herself thrust into a fairy tale world of fauns, fairies, and monsters, traveling back and forth between the worlds and seeing things unfold in both. There’s a deeper story, of course: Ofelia’s adventures in the fantasy world she discovers serve as an allegory for what’s going on with the war, and there are strong parallels between the two worlds in the film. This film is brilliant, beautiful, magical, and at times quite creepy, and there’s really nothing else like it.
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“If I said I was madly in love with you, you’d know I was lying.”
Gone with the Wind is a film that almost needs no introduction. Directed by Victor Fleming (The Wizard of Oz), who took over after George Cukor (My Fair Lady, The Philadelphia Story) was let go, this four-hour epic is widely heralded as one of the best films of all time, and, when adjusted by inflation, it’s the highest-grossing film of all time by a very wide margin—over seven billion dollars in 2018’s money. But I’ll be honest: I didn’t really understand much about it until I watched it today. I’d heard it was a romance, but that’s only partly true; it’s also about the disintegration of the old South and its culture in the aftermath of the American Civil War. And it’s told from the perspective of the Confederacy, showing an interesting, if somewhat misleading, perspective. The idea of a four-hour romance movie initially didn’t interest me, but this film is every bit as epic as it is romantic—which is to say a lot. The scope is grand, the characters are deep, and the conflict is much bigger than one relationship. I’m a little late coming to the party of reviewing this film, but I think this still holds up pretty well today. It really is that good.
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“When you kill a king, you don’t stab him in the dark. You kill him where the entire court can watch him die.”
New York City in the mid-19th century was a dark and dangerous place. You wouldn’t know that today from reading Transcendentalist essays, Little Women, or Edgar Allen Poe, all works of that time. We have these romanticized notions of what America was like for the waves of immigrants coming to the new world to seek fortune and a new life, but for most, it was a violent hell. No movie portrays this little corner of American history better than Gangs of New York. Directed by the extremely talented Martin Scorsese (Taxi Driver, Goodfellas) and starring Leonardo DiCaprio, Cameron Diaz, and Daniel Day-Lewis, this is a portrait of the volatile culture, the primitive politics, and the shocking violence of this time and place. It’s bloody and raw and almost oppressive in its adversity—but it’s also enthralling and very entertaining.
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“I think he knows what Rome is. Rome is the mob. Conjure magic for them and they’ll be distracted. Take away their freedom and still they’ll roar. The beating heart of Rome is not the marble of the senate; it’s the sand of the coliseum. He’ll bring them death—and they will love him for it.”
With a few notable exceptions, epic films set in ancient Rome were hard to come by, and good ones even more so. This is surprising—the setting is perfect for an epic film with amazing fight sequences, political intrigue, rich story and lore, and strong characters. In the year 2000, before Lord of the Rings reignited our passion for epics, Gladiator filled that gap with an amazing film. Directed by Ridley Scott (Alien, Blade Runner) and starring Russell Crowe, Joaquin Phoenix, and Connie Nielsen, this is a film that brings the expansive and powerful Roman Empire to life like never before. I won’t say it’s a perfect film—it has its flaws. It’s stuck in a weird spot between a political drama and an action movie, and there are a few scenes that place dramatic flair above realism. But Gladiator is just so entertaining that it more than makes up for its flaws.
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“Why must fireflies die so young?”
I’m reluctantly a fan of some anime, but I’ll admit, the medium has been really hit or miss for me. There are some brilliant stories and a lot of stuff that’s just not for me. But when I heard about an anime film that shows World War II through the eyes of two orphaned Japanese children, I knew I had to give it a shot. Grave of the Fireflies, directed by Isao Takahata (The Tale of Princess Kaguya) who was a colleague of Hayao Miyazaki, is a moving and heart-breaking story about the horrors of war and the importance of family in a setting that American viewers don’t often think about. I’ll warn you now: it’s quite sad, and your soul will undoubtedly die a little bit as you watch this. But it’s still a beautiful story that I’m glad I experienced. And if you’re wondering, there is an English dub and it’s pretty decent.
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“Pete, it’s a fool that looks for logic in the chambers of the human heart.”
O Brother, Where Art Thou, directed by the Coen Brothers (True Grit, No Country for Old Men) and starring George Clooney, John Turturro, and Tim Blake Nelson, feels a bit like a modern fairy tale. Right from the start, it feels like it’s a completely different world, even though it’s set in the Depression-era American South. As in the quote above, this movie is firmly rooted in the realm of the human heart. Don’t expect the plot to shoot you in a logical straight line from point A to point B. It’s more about the journey than the destination. Clever writing, acerbic wit, and immersive art direction elevate this from old-fashioned camp and make the journey a fun one.
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