“Telekinesis… thought to be the ability to move… or to cause changes… in objects… by force of the mind…?”
Growing up, I’d been turned off to the horror genre for a few reasons. Horror films in general never really felt deep, emotionally speaking, and were full of stereotypes. They also seemed to revel in misogyny and weak female characters. 42 years after its release, Carrie is still a breath of fresh air. Directed by Brian De Palma (Scarface, Dressed to Kill) and starring Sissy Spacek and Piper Laurie, this was a landmark horror film that wasn’t content to stick to simple characters and situations. The character of Carrie White was painfully real and vulnerable, but strong in her own way, and the emotional core of the movie was raw and powerful. And, unlike most horror films, women run the show here—despite a gratuitous opening scene, there are some pretty empowering scenes here, as well as some open discussion of the hardships of being a woman. It honestly feels a bit dated today, but the tension and sense of dread hanging over the whole film is as heavy today as it was in 1976 and this still holds up as a classic and very influential horror film.
The gangster film genre has a lot of great classics, such as The Godfather and Goodfellas, that are filled not only with criminal actions but also human drama and surprisingly relatable characters. Though it’s a good formula, there are a lot of tales of gangsters working to maintain their rather wholesome family lives while also living as professional criminals. We love and respect these characters because, despite their evil deeds, they’re not that different from you and me. But what about gangster movies that don’t have that softer edge? What about gangster movies that show a character so wild and out of control that his fate is basically broadcasted from the very start of the film? That’s what Scarface set out to be. Directed by Brian de Palma (Dressed to Kill, The Untouchables) and starring Al Pacino, Michelle Pfeiffer, and Steven Bauer, this film shows a criminal so over-the-top and power-hungry that you can’t help but feel that he’s going down even as he rises to the top. This isn’t quite as brilliant as The Godfather or entertaining as Goodfellas, but that doesn’t stop this from being highly entertaining and having some extremely well-written and well-acted scenes. This was a gangster movie of a different breed, and that is a very good thing.